Billboard Hot 100
1978 to 1981


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Billboard 1978:

01.
Shadow Dancing,
Andy Gibb
02. Night Fever, Bee Gees
03.
You Light Up My Life,
Debby Boone
04. Stayin' Alive, Bee Gees
05. Kiss You All Over,
Exile
06. How Deep Is Your Love,
Bee Gees
07.
Baby Come Back,
Player
08.
(Love Is) Thicker Than
Water, Andy Gibb
09. Boogie Oogie Oogie,
A Taste Of Honey
10.
Three Times A Lady,
Commodores

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Billboard 1979:

01.
My Sharona, The Knack
02.
Bad Girls,
Donna Summer
03.
Le Freak, Chic
04.
Da Ya Think I'm Sexy,
Rod Stewart
05.
Reunited,
Peaches and Herb
06.
I Will Survive,
Gloria Gaynor
07.
Hot Stuff, Donna
Summer
08.
Y.M.C.A., Village People
09.
Ring My Bell, Anita Ward
10. Sad Eyes, Robert John

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Billboard 1980:

01.
Call Me, Blondie
02.
Another Brick In
The Wall, Pink Floyd
03.
Magic, Olivia Newton-
John
04.
Rock With You,
Michael Jackson
05.
Do That To Me One
More Time, Captain
& Tennille
06.
Crazy Little Thing Called
Love, Queen
07. Coming Up,
Paul McCartney
08. Funkytown, Lipps, Inc.
09.
It's Still Rock And Roll
To Me, Billy Joel
10.
The Rose, Bette Midler

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Billboard 1981:



01.
Bette Davis Eyes,
Kim Carnes
02.
Endless Love, Diana
Ross & Lionel Richie
03.
Lady, Kenny Rogers
04. (Just Like) Starting Over,
John Lennon
05.
Jessie's Girl,
Rick Springfield
06.
Celebration,
Kool and The Gang
07.
Kiss On My List,
Daryl Hall & John Oates
08.
I Love A Rainy Night,
Eddie Rabbitt
09.
9 To 5, Dolly Parton
10.
Keep On Loving You,
REO Speedwagon

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Music Entertainers
of the 70s


The seventies were a time when a new generation of young people were exposed to new media and hence newer ideas in almost every field. Elvis was still probably the biggest entertainer in the world in the 70´s and in 1973 he held the historic
Hawaiian concert which was televised worldwide to almost 1.5 billion people in over 40 countries.

TV and motion picture brought to varied audiences images, lifestyles and music from diverse regions and peoples. This led to the emergence of a new vocabulary and experimentation in music. After the war the second generation of German musicians began experimenting with music, these included experimental classical music and the tradition of Krautrock or Kraut music, rooted in the experimental classical music.

This later influenced both art rock and progressive rock.
The main exponents of these genres include Genesis, Yes, Emerson, Lake & Palmer and
Pink Floyd. The experimental nature of progressive rock is exemplified in songs such as Pink Floyd's Echoes.





The seventies is also when many legendary rock bands started, or hit their peak, including The Rolling Stones, Led Zeppelin, Aerosmith, AC/DC, Queen, U2, Black Sabbath, KISS, The Who, Pink Floyd, The Doors, and
Van Halen. In Europe, there was a surge of popularity in the early decade for glam rock, thanks largely to the rise of T Rex, Gary Glitter and David Bowie, and bands like Slade and the Sweet.

We also saw the rise of Alternative Pop music with the soft, velvety tones of the brother and sister duo the Carpenters. The group went on the become the biggest selling artists of the decade (1970-1980).

Disco Dies in 1981

The commercial cinemas around the world tended to imitate nuances of disco beats in their movies to present their movies as western and upbeat. These included the increasingly popular Kung-fu movies in far East Asia and Bollywood movies from India.

One of the most successful European groups of the decade was the quartet ABBA. The Swedish group, who are still the most successful group from their country, first found fame when they won the 1974 Eurovision Song Contest. They became one of the most widely known European groups ever, and were the decade's biggest sellers. "Waterloo" and
"Dancing Queen" are two of ABBA's most popular songs.



To many people, the Seventies will be most remembered for the rise in disco music. First creeping into dance clubs in the mid-seventies (with such hits as "The Hustle" by Van McCoy), songstresses like Donna Summer, Gloria Gaynor, Dalida and Anita Ward popularized the genre and were described in subsequent decades as the "disco divas." The Village People scored a Top Ten hit with "Y.M.C.A." and the Bee Gees had a string of #1s following their collaboration on the Saturday Night Fever soundtrack.



As quickly as disco's popularity came, however, it fell out of favor with the new decade, and effectively died in 1981, with the popularity of New Wave bands such as Blondie and Devo, who both formed their respective bands in the seventies. Many of the aforementioned singers who became popular during the disco era found themselves out of tune with the 1980s, and were out of work for many years, until a renewed interest in disco brought many of them back to the forefront. Many songs from the disco era are still very popular dance hits and receive continuous airplay in nightclubs throughout the world.

Hollywood Blockbusters

Hollywood changed radically in the 1970s in an attempt to snatch its audience back from the grip of television. It resorted to extremes and cinema in the seventies was chock full of icons - From the big shark in Jaws to the even bigger magnum of Dirty Harry. It was also the decade that brought us Rocky, Rollerball and Mad Max.  This was not a decade of understatement.

New trends developed, old ones were cast aside and, most significantly, a breed of young movie directors launched themselves and the rest of us towards the glittering world of Oscars and sci-fi blockbusters. 



The Top Ten box-office movies of the Seventies were, in order;

01.
Star Wars (1977)
02.
Jaws (1975)
03.
The Godfather (1972)
04.
Grease (1978)
05.
Superman (1979)
06.
Close Encounters (1977)
07. Saturday Night Fever

(1977)
08. The Sting (1973)
09. The Exorcist (1973)
10. National Lampoon's
Animal House (1978)

Special effects took over from stars as the main attraction. The ultimate effect was the 40 minute triumph to technology in Close Encounters of the Third Kind - the gigantic alien mother ship towering over (and landing in) mid-America.

For some bizarre reason, as the Seventies dawned, people decided that they wanted to be frightened. Seriously frightened! So much so, that they would pay good money to sit together in darkened rooms and watch films that threatened to scare the living daylights out of them (arguably the most powerful cinematic experience was provided by The Exorcist in 1973). 

The 70s was also the decade of the Disaster Movie - Buildings burst into flames  (Towering Inferno), shook to the ground (Earthquake) or had planes crashing in or around them.

Iran Hostage Crisis


Iranian radicals take to the street in support of Ayatollah Khomeini.

The Iranian Revolution of 1979 transformed Iran from an autocratic pro-west monarchy under Shah Mohammad Reza Pahlavi to an Islamic, theocratic dictatorship under the rule of Ayatollah Khomeini. Distrust between the revolutionaries and Western powers led to the Iran hostage crisis on November 4, 1979 where 66 diplomats, mainly from the U.S., were held captive. In Iraq, Saddam Hussein began to rise to power by helping to modernize the country. One major initiative was removing the western monopoly on oil which later during the high prices of 1973 oil crisis would help Saddam's ambitious plans. On July 16, 1979 he assumed the presidency cementing his rise to power. His presidency led to the breaking off of a Syrian-Iraqi unification, which had been sought under Ahmed Hassan al-Bakr and would later lead to the Iran-Iraq War starting in the 1980s.



The Iran hostage crisis was a 444-day (about 14 months) period during which student proxies of the new Iranian regime held hostage 66 diplomats and citizens of the United States inside the U.S. embassy in Tehran. The standoff lasted from November 4, 1979 until January 20, 1981. During the crisis, some hostages were released, but 52 were held until the end. The United States launched a rescue operation, Operation Eagle Claw, which failed and caused the deaths of eight servicemen. Historians consider the crisis to have been a primary reason for United States President Jimmy Carter's loss in his re-election bid for the presidency in 1980. The crisis also punctuated the first Islamic revolution of modern times.
Oil Crisis

Scenes like this one, at an Amoco station in 1973, were common throughout the Western world. Also common were long lines to receive rationed petrol products.



Economically, the seventies were marked by the energy crisis which peaked in 1973 and 1979. After the first oil shock in 1973, gasoline was rationed in many countries. Europe particularly depended on the Middle East for oil; the US was also affected even though it had its own oil reserves. Many European countries introduced car-free days. In the US, customers with a license plate ending in an odd number were only allowed to buy gasoline on odd-numbered days, while even-numbered plate-holders could only purchase gasoline on even-numbered days. The experience that oil reserves were not endless and technological development was not sustainable without harming the environment ended the age of modernism. As a result, ecological awareness rose substantially.

TV in the United States

At the start of the decade, long-standing trends in American television were finally reaching the end of the road. The Red Skelton Show and The Ed Sullivan Show, long-revered American institutions, were finally canceled after multi-decade spans. The "family sitcom," popularized by the travails of Ozzie and Harriet Nelson in the fifties and sixties, saw its last breath at the start of the new decade with The Brady Bunch, which ran for five seasons. Although the show was never highly rated during its original run, it has been broadcast in syndication continuously since 1974, and many children have grown up with it, causing them to think of the Bradys as the quintessential family — not only in 1970s television, but quite possibly all of American television.

Here are the #1 shows on network television throughout the decade:

69-70: Laugh-In
70-71: Marcus Welby, M.D.
71-72: All in the Family
72-73: All in the Family
73-74: All in the Family
74-75: All in the Family
75-76: All in the Family
76-77: Happy Days
77-78: Laverne and Shirley
78-79: Laverne and Shirley
79-80: 60 Minutes
80-81: Dallas
81-82: Dallas

In the United States, television in the seventies was transformed by what became termed as "social consciousness" programming, spearheaded by television producer Norman Lear. All in the Family, his adaptation of the British television series Til Death Us Do Part, broke down television barriers. When the series premiered in 1971, Americans heard the words "fag," "nigger," and "spic" on national television programming for the first time. All in the Family was the talk of countless dinner tables throughout the country.

With the rise in socially responsible programming, the television western, a very popular genre in the 1960s, slowly died out. The first casualties were The High Chaparral and The Virginian, both NBC staples, in the spring of 1971. Bonanza suffered a blow when actor Dan Blocker died during surgery in 1972, and the show quietly ended its run the next year. CBS's Gunsmoke outlasted them all, and finally ended its run with a star-studded series finale in 1975. Bonanza actor Michael Landon helped popularize a television adaptation of the popular children's book series Little House on the Prairie. Debuting in 1974, the series ran for eight years. Little House's competitor family drama was CBS's The Waltons, which revolved around family unity but during a different time and place—Virginia during the Great Depression.

Former CBS head of programming Fred Silverman defected to struggling ABC, which saw a glimmer of hope in the early 1970s with the #1 hit show Marcus Welby, M.D., but eventually retreated to its traditional third-place spot. Silverman was instrumental in starting a new movement in American television, centered around sexual gratification and bawdy humor and situations. Critics called the new era "jiggle television," exemplified by the crime-fighting television series Charlie's Angels, which starred up-and-coming sex symbols Farrah Fawcett, Jaclyn Smith, and Kate Jackson.

In 1971, while Fred Silverman was still working for CBS, he spotted singing duo Sonny & Cher doing a stand-up concert and decided to turn it into a weekly variety show. The show was a ratings winner from the first episode and ran for three years. It was followed in the same vein shortly after by singing group Tony Orlando and Dawn. Another group of singers who received a variety show in the seventies were two of the famous singing Osmonds—Donny and his sister Marie. Sid & Marty Krofft set to work on the siblings' series and Donny & Marie premiered on ABC in the winter of 1976.